The Holocaust: History and Literature: Home

Peter Hayes has been teaching Holocaust studies for decades and Why? grows out of the questions he's encountered from his students. Despite the outpouring of books, films, memorials, museums and courses devoted to the subject, a coherent explanation of why such carnage erupted still eludes people. Numerous myths have sprouted, many to console us that things could have gone differently if only some person or entity had acted more bravely or wisely; others cast new blame on favourite or surprising villains or even on historians.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history?Or is it okay to lie in such works?In her provocative study Persistence of Vision, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessedculture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of anyliterary work, including the memoir.

Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man. Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

In a modern translation, this definitive edition contains entries about Anne's burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne's youthful spirit and restores the original material omitted by Anne's father, Otto--approximately thirty percent of the diary. The elder Frank excised details about Anne's emerging sexuality, and about the often-stormy relations between Anne and her mother. Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years.

For thirty years the director of the Wiener Library in London, the leading institute for the study of anti-Semitism, Walter Laqueur here offers both a comprehensive history of anti-Semitism as well as an illuminating look at the newest wave of this phenomenon. Laqueur begins with an invaluable historical account of this pernicious problem, tracing the evolution from a predominantly religious anti-Semitism--stretching back to the middle ages--to a racial anti-Semitism that developed in the late 19th and early 20th centuries. The author then uses this historical account as backdrop to a brilliant analysis of the newest species of anti-Semitism, explaining its origins and rationale, how it manifests itself, in what ways and why it is different from anti-Semitism in past ages, and what forms it may take in the future.

Anne Frank: The Whole Story is a two-part mini-series based on the 1998 book Anne Frank: The Biography by Melissa Müller.

Five part story that follows the tragedy and triumph of the Weiss family of Berlin and intertwines their fate as European Jews with the story of a German family, the Dorfs, whose members include a high-ranking Nazi officer. Kristallnacht, the "night of broken glass" occurs and the Weiss family suffer a series of unspeakable tragedies in the aftermath.

The life-affirming tale of 10,000 children saved from Hitler's grasp and placed with foster parents and hostels in Great Britain at the outbreak of World War II. Includes archival footage and decades-later rememberances of both the rescuers and the rescued.

The story of a Catholic war profiteer, Oskar Schindler, who risked his life and went bankrupt in order to save more than 1,000 Jews from certain death in concentration camps

THE DEFINITIVE EDITION: The Pulitzer Prize-winning graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker). A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

1990 Newbery Medal Winner. As the German troops begin their campaign to "relocate" all the Jews of Denmark, Annemarie Johansen's family takes in Annemarie's best friend, Ellen Rosen, and conceals her as part of the family. Through the eyes of ten-year-old Annemarie, we watch as the Danish Resistance smuggles almost the entire Jewish population of Denmark, nearly seven thousand people, across the sea to Sweden. The heroism of an entire nation reminds us that there was pride and human decency in the world even during a time of terror and war. Winner of the 1990 Newbery Medal.

#1 NEW YORK TIMES BESTSELLER * ONE OF TIME MAGAZINE'S 100 BEST YA BOOKS OF ALL TIME* The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist-books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.